Why
M.A.M.I.
what is
behind the Matrix Approach?

The very best musicians understand that music is all about relationships
i.e.
intervallic,
harmonic, chordal, etc. M.A.M.I. uncovers the
mysteries surrounding
scales, modes, chords, inversions, and their uses in different musical
contexts.
This paves the way for independent, inspired, and creative musical exploration.
M.A.M.I.
consists of eight
integrated parts for each subject page:
1. Subject Scale Listing
- both notes and intervals are detailed for convenience!
2. Instrument Fingerboard
Chart - shows the notes of the scale and their locations!
Versions: Guitar-Bass (right hand or left) or Keyboard (all other instruments).
3. Interval Location Chart
- shows the scale intervals and their instrument locations!
4. Modal Matrix Cube
- quick visual representation of scale from a 3-D perspective
while facilitating the use of any scale tone as the root note!
5. Chordal Matrix Cube
- allows an immediate visual determination of all chords
or tone clusters possible within a scale via intervallic listing.
6. Harmonic Matrix Cube
- A specially optimized cycle of fourths arrangement
which can help you create interesting changes...logically!
7. Interval Analysis
Chart - an interval composition count, reveals useful patterns!
8. Chordal Analysis
Chart - lists chordal forms, inversions or tone clusters present!
-
Below is a complete listing of M.A.M.I. analyzed
subjects.
- Each subject is transcribed to all twelve keys and presented individually on separate
pages for clarity.
- As such, the master M.A.M.I. volume
is 560 pages and growing!
|
Arpeggios |
|
Major 7th |
|
Major 7b5
|
Minor 7th |
Dominant 7b5 |
Minor 7b5 |
Suspended 7th |
|
Diminished |
Dominant 7th |
|
Dominant 7#5 |
|
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Pentatonics |
|
Major 9th
|
|
Major 9b5
|
Minor 9th |
Dominant 9b5 |
Minor 9b5 |
Dominant 9th |
Dominant b9b5 |
Dominant 9#5 |
Dominant b9th |
Dominant #9b5 |
Dominant b9#5 |
Dominant #9th |
|
Dominant #9#5 |
Suspended 6th |
|
Suspended 9th (Blues) |
|
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Scales |
|
Blues add b5th
|
Locrian Minor |
Diminished Whole-Tone
|
Whole-Tone |
Mixolydian Dominant |
Persian Gypsy (Maj.b2+b6) |
Major |
Diminished (Half-Whole) |
Lydian Dominant |
Lydian |
Diminished (Whole-Half) |
Lydian Augmented Dom. |
Lydian Augmented |
Super Locrian |
Phyrgian Minor |
Dorian Minor |
Harmonic Major |
Harmonic Minor |
Melodic Minor |
Aeolian Minor |
Locrian #2 |
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(click
here for the MAMI Index page)
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